The article discusses Ananda Coomaraswamy's approach to cultural traditionalism and his views on tradition, art, and intercultural interaction. Unlike Rene Guenon, Coomaraswamy focuses on specific aspects of traditional art and symbolism, considering them within the context of cultural anthropology. He emphasizes the importance of preserving traditional art as a means of addressing the cultural crisis in Western society. Coomaraswamy also emphasizes the need for harmony with Eastern cultures and warns against the negative consequences of excessive cultural change resulting from interaction.

tradition, traditionalism, comparative philosophy, culture, art, anthropology, civilization, East and West.

Любимова Т.Б. «Вечная философия» единой традиции в символах // Vox. Философский журнал. – 2018. – №24. – С.15-38.

Кумарасвами А. Восток и Запад. Религия, мифология, символика, искусство. – Москва: Беловодье, 2018. – С.20.

Кумарасвами А.К. Почему выставляют произведения искусства? (пер. Т.Любимовой) // Вестник Пермского университета. Философия. Психология. Социология. – 2015. – №4(24). – С.145.

Coomaraswamy A.K. Christian and Oriental Philosophy of Art. – New Delhi: Munshiram Manoharlal Publishers Pvt. Ltd., 1994.

Coomaraswamy A.K. The Dance of Shiva. Fourteen Indian Essays. – New York: The Sunwise Turn, Inc., 1918.

Кумарасвами А.К. Время и вечность. – Санкт-Петербург, 2017.

Эвола Ю., Шуон Ф., Кумарасвами А. Свет и тени. – Тамбов, 2012.