This article provides a scholarly analysis of bowl-making—an important branch of Uzbek pottery (flat tableware such as bowls, large dishes, cups, and plates)—using the example of the Kokand center. It examines the transcultural significance of Kokand pottery, its tilework (koshin) and porcelain traditions, renowned masters, and museum collections of their works. Based on archaeological and ethnographic sources, as well as academic literature (Aminov, 2020; Bobobekov, 1996), the historical development of bowl-making and contemporary issues of heritage preservation are discussed.

bowl-making, Kokand pottery, koshin (tilework), porcelain, Khudoyorkhan Palace, transcultural connections, cultural heritage.

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