Nazar Eshonkul’s story “The Wind cannot be caught” interprets death not only as a biological phenomenon, but as a social, spiritual and philosophical tragedy.azar Eshonkul's story “The Wind cannot be caught” interprets death not only as a biological phenomenon, but as a social, spiritual and philosophical tragedy. Through the events and charaazar Eshonkul's story "The Wind cannot be caught" interprets death not only as a biological phenomenon, but as a social, spiritual and philosophical tragedy. Through the events and characters of the work, the author reflects on the fracture of the human soul, the impact of violence and injustice on society, as well as the instability of life. The example of the image of Bayna momo analyzes the concepts of truth, hidden revenge and folk Justice, which unfold after death. The punishment carried out in relation to the body of a timeless Horseman is interpreted as a phenomenon with symbolic and philosophical meaning, and not biological. This article analyzes the artistic and philosophical layers of death, the cross section of heroes.

death, artistic analysis, philosophical tragedy, symbolic punishment, popular Justice, violence, conscience, Times, Justice, tragedy.

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