The article provides information about the fact that our ancestors were well aware of world literature, especially Turkish, Azerbaijani, and Tatar literature, and that they regularly got acquainted with the press published in those countries. Hamza Hakimzada Niyazi's intention to write a drama about Ta'at Pasha, one of the Turkish statesmen, after living in Izmir and Istanbul for several months, is discussed. The opinions of Uzbek writers about Turkish artists, articles published in the Turkish press about Uzbek writers are discussed.

1. Sheikhzadeh is one of the most prominent representatives of the modern Uzbek literature. In this article the different directions of his multificated creativity are looking over, analyzing and the interesting and exemplary drawings of his life are explaining. According to the researchers perspectives are bringing clarity to the main point.

The facts and considerations confirming the greatness of M.Sheikhzadeh personality are reflected in this article.

the article explores a number of contemporary issues of world literature, such as globalization, its nature, its peculiarities, the impact of globalization on world, including Uzbek literature, the future of literature, paper and internet Literature, Translation, youth and healthy literature propaganda.

This article provides a comprehensive survey of the short stories created by the famous Hindi writer Nirmal Varma. About 50 of Varma's short stories are carefully studied and grouped by theme and plot. By analyzing Varma's story-telling skills, vivid scenes of character dynamics, the brilliant representative of Hindi literature, the role of western literature, which influenced the creation of multifaceted themes and ideas, and its influence on Indian literature is analyzed.

This article, prepared on the basis of the opinions expressed in the 9-volume monographic study “History of the Literature of the Peoples of the East”, created by scientists of Tashkent State University of Oriental Studies, is about the prepared prospectus for the new scientific project “Typology of prose genres in the literature of the peoples of the East”, which is planned to be implemented soon.

The purpose of this article is to briefly highlight and discuss the famous documentary historical story about Amir Timur, written by the English writer Hilda Hookham, as well as a comparative and pragmatic study of the translations of this book in Uzbek and Russian languages. The article discusses the basic principles of literary translation based on the work of Hilda Hookham “Tamburlaine the conqueror” and its translations, both in Uzbek and Russian. The comparison between Eastern and Western culture is highlighted through some examples from the original in comparison with its translations. The skill of translation is determined by analyzing the adequacy or equivalence of the translation, preserving and conveying in it the atmosphere and background of that era, and even correcting the author’s errors by the translator.

This article is devoted to the study of the typology and national characteristics of Indonesian fairy tales. Fairy tales have existed since ancient times; they are a kind of history, a treasury of folk wisdom and a universal means of thinking about the world and people.

 The tales of each nation are determined by its way of life, rituals, working conditions, folk traditions, worldview and other factors. Thus, the study of the linguistic features of fairy tales is of interest, both for the influence on national culture and for the spread of cultures at the international level.

When writing the article, we used fairy tales of the peoples of Indonesia, published throughout the 20th century. Thus, this study is based on materials from the fairy-tale tradition of the peoples of Indonesia, as it appears to us throughout the last 20th century.

The article analyzes the period of national literature, which is the peak of the development of modern Turkish poetry. The era of national literature was formed in the period after the Tanzimot era, and the work of artists who made an important contribution to its development was also mentioned. Attention is also paid to the factors of formation of new poetry, and the issues of tradition and innovation highlighted in the poetry of this period are analyzed on the example of the poems of poets who created new researches.

Information was given about the works of prominent and famous poets of the period of national literature Mehmet Emin Yurdaqul, Yahya Kamal Beyatli and Ziya Gokalp, and their poems were studied. Also, Yahya Kamal Beyatli's “Silent Ship” ( “Sessiz gemi” ) and Ziya Gokalp’s “Motherland” (“Vatan”)  poems were directly translated into Uzbek, and the feelings of the lyrical hero in the poem and dreams were analyzed.

This article compares the works of Rahnavard Zaryob, the great writer of modern Afghan storytelling, and the works of the famous Russian scientist Anton Chekhov. The most important aspect of the work of these two artists is that their stories focus on the personality of a single person. Such images are depicted in the vortex of socio-political, socio-economic, vital and domestic environment. In this way, the writer penetrates into the most complex and important aspects of social life through the medium of personality.

This article talks about the depiction of spiritual experience in the stories of Selim Ileri, a great creator of modern Turkish literature, and Nazar Eshanqul, who is distinguished by his unique style in Uzbek storytelling. In his stories, Selim Ileri skillfully describes the mental suffering and experiences of a person. The stories of Nazar Eshanqul, who won the love of Uzbek readers with many stories, reflect the complex inner world and mental state of a person. After all, one of the most important features of a work of art that attracts the reader and provides a place in his heart is the magical reflection of the human psyche with all its complexities and contradictions. In the article, Selim Ileri’s stories “Saturday loneliness” (“Cumartesi Yalnızlığı”) and Nazar Eshonqul’s “An unopened door” (“Ochilmangan eshik”) were analyzed, and the commonalities identified in the descriptions of the hero's emotions, inner world, and mental state in the stories were analyzed.

The article examines in a comparative manner the treatise of the great Arab writer al-Maarri “Risalat al-Ghufran” and Dante’s poem “The Divine Comedy”, the main work of the great Italian poet. In these two works with a similar plot about a journey to the afterlife of heaven and hell, important universal problems are raised with their subsequent interpretation. The article also raises the question of the possibility of influence of the treatise “Risalatu-l-gufran”, written in the 11th century, on the poem “The Divine Comedy”, written in the 14th century, since in Italy in the 12th-13th centuries. There is a great interest in Arabic literature. Europeans became acquainted with its samples through translations, which were intensively carried out in Andalusia, an Arab emirate formed in the south of Spain after its conquest by the Arabs.

In this article, the author tried to right very briefly about the similarities and differences between the two songs of the poet Muhammad Iqbal, "Indian Song" and "National Song". The generality of the above-mentioned songs appears primarily in the glorification of the homeland, the promotion of its freedom, and the description of the beautiful landscapes of the mythical India. The author mentioned that the poet wrote these two songs in the same style and in the same meaning, keeping the ideological balance of the people of his country. In this article, he presented brief information to the readers about the content of these two songs - "Indian Song" and "National Song". The author of the article divided both Iqbal's songs into five parts in terms of the same spirituality. And he analyzed and studied each separated part in comparison with each other. It becomes clear that between "Indian Song" and "National Song" despite the difference in the content of the songs, there is a similarity of thought and a deep view of Iqbal's philosophy. The songs are also considered very important from the historical point of view, because Iqbal along with the hymns of the country of India takes the reader on a historical tour of this land and reminds that this land has received various peoples and nationalities for thousands of years. And all the local and foreign people live in harmony along the banks of the happy river Ganga. India always welcomes the caravan of foreigners as its own people. This is the essence of these two songs of Iqbal.

The article deals with the issues concerning the general problematics of analysis, its methodology, its possible forms and ways, establishes the principles of analytical approach to a work.

This article describes the unique aspects of the short novel genre in Western and Arabic literature. In addition, the origin and stages of development of the novel genre in Arabic literature are given. The influence of Western literature on Eastern literature is revealed, in particular, the principles of the formation of Arabic literary processes.

The article focuses on the comments of modern writers about the great Azerbaijani poet Muhammad Fuzuli, including the works of Abdulla Qadiri, Cholpon and Vadud Mahmud. The article "Buzuli Baghdadi" written in the twenties of the 20th century by Jadid critic Wadud Mahmud is evaluated. At the same time, the article also mentions some Uzbek poets who wrote poems in the style of Fuzuli. In the conclusion, it is emphasized that modern intellectuals have a great contribution to the appreciation of the work of the great Azerbaijani poet and popularization among the Uzbek people. 

In the modern era, the influence of the West holds significant importance across various domains. Introduction to activities, scientific discoveries, and literary trends of other foreign languages such as German, French, Italian, etc., also comes through English. The cultures of English and Hindi are distinct, with differences in their traditional religious, social, cultural circumstances, literary vocabulary, and grammar. Their vocabulary in Indian languages is similar, with words like 'yajna', 'mahachiti', 'sat-chit', 'ananda', etc., being common. Such similarities are not found in foreign languages. In this article, I aim to draw your attention to these points.

This article is devoted to a comparison of two novels written by Munshi Premchand, the outstanding figure of Hindi literature, the king of novels, and Chinnappa Bharati, the famous writer of Tamil literature, the similarities and differences between Premchand’s novel “Destiny” and Chinnappa Bharati’s novel “Thirst” are examined. The novel “Destiny” reveals a difficult fate of the main character Hori, and the novel “Thirst” describes the problems of the poor peasant Marappan and his family. In these novels by the two creators, there are noticeable similarities in the ways of depicting rural life and the style of creating images.

The article analyzes the methods of symbolic representation used in the story "The Song of Kashmir", based on the ancient love epic of the people of Kashmir. In this story, the struggle of the people of Kashmir and Jammu for the independence of the country is reflected in the symbols of nature. This story, written by Uzbek writer Sharaf Rashidov, was published after the author's visit to India in 1965. The ancient culture, art and literary heritage of the Indian people, rich in legends, led to the creation of a work about love. This lyrical story has been translated into 56 languages and includes small poetic fragments.